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Super i spelvärlden
Embracer Group was established as Nordic Games Licensing within Nordic Games Group in 2011. The latter had previously purchased assets from the bankrupt publisher JoWooD and established Nordic Games GmbH (a subsidiary of Nordic Games Licensing) to manage them. https://beatriceamundsson.com/ Nordic Games Licensing continued to purchase intellectual property from defunct publishers, notably several THQ products in 2013, followed by the “THQ” trademark in 2014. In August 2016, Nordic Games Licensing and Nordic Games GmbH changed their names to THQ Nordic. The parent company became a public company in 2016 and was renamed Embracer Group in 2019. Until 2023, Embracer Group rapidly grew through major acquisitions and investments. After a US$2 billion investment unexpectedly fell through, the company was more than $2 billion in debt and began closing and selling multiple studios and while laying off people at others.
On 22 April 2024, Embracer Group announced its intention to transform into three standalone publicly listed entities on Nasdaq Stockholm within the next two years: a board game segment under the Asmodee group, an indie games segment under Coffee Stain Publishing, and a segment to manage its library of licensed intellectual properties include that of Tolkien’s Middle Earth.
In May 2022, Square Enix and Embracer Group entered into an agreement for the latter to purchase Crystal Dynamics, Eidos-Montréal, and Square Enix Montreal, alongside intellectual properties like Tomb Raider, Deus Ex, Thief, and Legacy of Kain, for $300 million. The acquisition was closed by August 2022 and the assets transferred to CDE Entertainment. Square Enix Montréal was briefly rebranded as Onoma but closed in November 2022 in a cost reduction measure. Additionally, Embracer Group created the Embracer Group Archive video game preservation effort in May and established its eleventh operative group, Freemode, from C77 Entertainment, Game Outlet Europe, Grimfrost, Quantic Lab, and the newly purchased Bitwave Games, Clear River Games, Gioteck, and Tatsujin. The latter was subsequently expanded with the acquisitions of Limited Run Games, Singtrix, and Middle-earth Enterprises, which owns the media rights for The Lord of the Rings and The Hobbit.
Förkortningar i spelvärlden
Damage Per Second, or DPS, defines the amount of damage your avatar in any given game can do in a single second. The term is frequently used by different gaming communities trying to find the best build possible for a character. That’s because DPS discussions are only possible for games that allow the player to build different characters, such as RPGs and online games with different weapons.
DPS, which is short for “damage per second,” is a measurement of how much damage a particular weapon or attack outputs. “DPS” can also refer to a class of characters that is primarily meant to deal damage, as opposed to other classes like tank or healer.
In Soviet Russia, the difficulty chooses you! When a game has adaptive difficulty, a.k.a. dynamic balancing, that means the challenge level get automatically raised or lowered in response to the player’s perceived competence. While you are playing, the game analyses, on its own, how often you fail or succeed and then slightly changes the rules of the game to keep you engaged. As human beings, we tend to give up on games that are too hard or too easy; adaptive difficulty is put in place to increase the odds that players will always have the right amount of challenge. One of the best examples of adaptive difficulty is the Mario Kart franchise; players get better items when they are too far behind, thus preventing a total defeat before they even get in sight of the checkered flag.
However, the term is often used by gamers to define bad design choices in games that should depend almost exclusively on the player’s skill. In franchises such as Dark Souls, for example, bosses need to have recognizable attack patterns, so that the player can react properly to achieve victory. When a boss pattern is too erratic, players will blame the “RNG” for their defeat, since randomness can punish even skilled players.
An NPC, or a non-player character, refers to every character in a game that the player cannot control. While the term could be correctly applied to every enemy a player must defeat, the term is currently used to classify allies or neutral characters. The old man who gives you a sword in the first The Legend of Zelda is an NPC. (Also, take note for the future: NPC can be used as an insult to define someone unable to think for themselves.)
Zelda i spelvärlden
The Legend of Zelda received highly positive reviews from critics and was a best-seller for Nintendo. Upon release in Japan, it sold 1 million copies on its first day of release, and sold a total of 1.69 million for the Famicom Disk System in Japan. In North America, the game was highly anticipated and topped the video game charts upon release. It became the first NES game to sell over 1 million cartridges in the United States during 1987, increasing to more than 2 million cartridges sold by 1988. It went on to sell 3 million cartridges in the United States by 1990, and eventually 6.51 million copies worldwide.
Three video games were developed and released on CD-i in the early 1990s as a product of a compromise between Philips and Nintendo, after the companies failed to develop a CD-ROM peripheral for the Super NES. Created independently with no observation by or influence from Nintendo, the games are Link: The Faces of Evil, Zelda: The Wand of Gamelon, and later, Zelda’s Adventure. Nintendo never acknowledged them in the Zelda timeline, and they are considered to be in a separate, self-contained canon. These games are widely acknowledged to be the worst installments in the series, though have since gained a cult following in the form of internet memes.
In February 1986, Nintendo released The Legend of Zelda as the launch game for the Family Computer’s new Disk System peripheral, joined by a re-release of Super Mario Bros., Tennis, Baseball, Golf, Soccer, and Mahjong as part of the system’s introduction. It made full use of Disk Card media’s advantages over traditional ROM cartridges, with an increased size of 128 kilobytes which would be expensive to produce on cartridge format. Due to the still-limited amount of disk space, all of the text used in the game was from only a single syllabary known as katakana, which under normal circumstances primarily relates more to foreign words which supplement those of traditional Japanese origin as with hiragana and kanji characters. Rather than passwords, rewritable disks saved players’ game progress, and the extra sound channel provided by the system was utilized for certain sound effects; most notably Link’s sword beam at full health, roars and growls of dungeon bosses, and those of defeated enemies. Sound effects had to be altered for the eventual cartridge release version of Zelda which used the Famicom’s PCM channel. The game also took advantage of that system’s controller having a built-in microphone, a feature the NES model did not include. It was used to defeat the large-eared rabbit-like monster Pols Voice by blowing or shouting. The U.S. instruction manual still hints that this enemy “hates loud noise”, confusing many into thinking the recorder item could be used to attack (in actuality, it has no effect). The cartridge version made use of the Memory Management Controller chip (specifically the MMC1 model), which could use bank-switching to allow for larger games than had previously been possible, and could also use battery-powered RAM letting players save their data for the first time on the NES.
Although their personalities and backstory differ from game to game, the incarnations of Link and Zelda often have many traits in common, such as Link often being left-handed and clad in green, and Zelda being associated with wisdom, light, and prophecy. While the conflict with Ganon serves as a backbone for the series, some games have featured other settings and antagonists, with Link traveling or being sent to these other lands in their time of need.
